Add some songs
This commit is contained in:
commit
71b5e38d1a
2
.gitignore
vendored
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.gitignore
vendored
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.idea
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5
README.md
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README.md
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Start the madness server via:
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```
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docker compose up -d
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```
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docker-compose.yml
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docker-compose.yml
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# docker-compose.yml
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services:
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web:
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image: dannyben/madness
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volumes: ["./src:/docs"]
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ports: ["3333:3000"]
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command: server
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2
src/.madness.yml
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src/.madness.yml
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auto_h1: true
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sidebar: true
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141
src/Alligatoah - Verloren.md
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141
src/Alligatoah - Verloren.md
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```
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[Intro]
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C
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Hm-hm-hm, hm-hm-hm
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C
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Hm-hm-hmm
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[Part 1]
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C
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Es gibt kein'n Return-Point
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Em
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Nur in den Streets von gestern
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C
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Da glaub' ich, man hört euch
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Em
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Noch über Verliebte lästern
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C
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Wir könn'n euch zum siebten
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Em
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Himmel hinaufbegleiten
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C
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Doch das Himmelbett quietscht streng
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Em
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Wir müssen draußen bleiben
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[Pre-Hook]
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Am G
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Du sagst, dass man sich noch seh'n tut
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Am G
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Wir wissen beide, das sind Fake News
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[Hook]
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C G Am
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Schon wieder haben wir jemand verloren
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Em F
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Denn die Liebe ist der Tod für jede Gang, Gang, Gang, Gang, Gang
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C G Am
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Macht's gut, ihr zwei, das Glück sei euch gewogen
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F G C G
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Wir seh'n uns, wenn die Flamme nicht mehr brennt
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[Part 2]
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C
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Wir könn'n uns vielleicht mal
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Em
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Im Frühling am Gartenzaun treffen
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C
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Das könnt ihr jetzt ein Jahr
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Em
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Mit eurem Partner besprechen
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C
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Erinnert euch, wie wir träumten
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Em
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Mit Präservativ im Wortschatz
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C
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Wenn ihr mit der neu'n Gang
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Em
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Auf dem Spielplatz cornert
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[Pre-Hook]
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Am G
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Du sagst, ihr kommt mal zu Besuch
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Am G
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Wir wissen beide, das sind Fake News
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[Hook]
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C G Am
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Schon wieder haben wir jemand verloren
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Em F
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Denn die Liebe ist der Tod für jede Gang, Gang, Gang, Gang, Gang
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C G Am
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Macht's gut, ihr zwei, das Glück sei euch gewogen
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F G C G
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Wir seh'n uns, wenn die Flamme nicht mehr brennt
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[Post-Hook]
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C Em
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Ihr habt (Gang) sieben Jahre, bis die (Gang) Krisen starten
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F C G
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(Gang) Wir warten (Gang), wir warten
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C Em
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Ihr habt (Gang) sieben Jahre bis zum (Gang) Finale
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F C G
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(Gang) Wir warten (Gang), wir warten
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[Bridge]
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Em
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Schwester, begreif, die sind von uns gegang'n
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Em
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Von uns direkt in 'ne Wohnung zusammen
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F
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Wenn sie erscheinen, bekommt man Angst,
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Bdim
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dass sind Sonntags-Brunchende-Zombies, RUN!
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Em
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Bruder, die Bleibenden flieh'n uns
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Em
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Bermudadreiecks-Beziehung
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F
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Für die Gang werden neue Mitglieder gesucht
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Bm Gm
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Roboter oder kastrierte Eunuchen
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C
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Wir sind gegen Liebe immun
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[Hook]
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C G Am
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Schon wieder haben wir jemand verloren
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Em F
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Denn die Liebe ist der Tod für jede Gang, Gang, Gang, Gang, Gang
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C G Am
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Macht's gut, ihr zwei, das Glück sei euch gewogen
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F G C G
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Wir seh'n uns, wenn die Flamme nicht mehr brennt
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[Post-Hook]
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C Em
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Ihr habt (Gang) sieben Jahre, bis die (Gang) Krisen starten
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F C G
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(Gang) Wir warten (Gang), wir warten
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C Em
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Ihr habt (Gang) sieben Jahre bis zum (Gang) Finale
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F C G
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(Gang) Wir warten (Gang), wir warten
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[Outro]
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C
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Manche sagen, ich wär neidisch – auf den Kitsch?
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C
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Ja, aber heimlich, das zählt nicht
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```
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151
src/Alligatoah - Willst Du.md
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151
src/Alligatoah - Willst Du.md
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```
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[Intro]
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Am F C G x4
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[Verse 1]
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Am F
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Wie man eine Liebe maximal romantisch lebt, will jeder wissen
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C G
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Keiner hilft uns - Fair play
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Am F
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Gott sei dank gibt es Film und Fernseh'n,
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C G
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da, wo ich meine Bildung her nehm'
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Am F
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Glaub mir, das wird super, für deine Story haben wir schon den Grund
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C G
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Weshalb du in deiner Jugendphase wutgeladen bist
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Am F
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Dein Papa kam nicht zu deinem Schultheaterstück
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C G
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Bei mir finden wir schon was, wo der Schuh gerade drückt
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Am F
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Wir kennen uns seit X Jahren,
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C G
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du brauchst jetzt nix sagen
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Am F
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Ich wollt dich fragen:
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C G
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Wollen wir den nächsten Schritt wagen?
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[Bridge]
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Am F C G
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Willst du mit mir Drogen nehmen?
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Am F C G
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Dann wird es rote Rosen regnen
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Am F C G
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Ich hab's in einer Soap gesehen
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Am F C G
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Willst du mit mir Drogen nehmen?
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[Refrain]
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F C G Am
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Komm! Komm, wir geh'n, komm, wir geh'n zusamm'n den Bach runter
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F C G Am
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Komm! Komm, wir geh'n, komm, wir geh'n zusamm'n den Bach runter
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F C G Am
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Komm! Komm, wir geh'n, komm, wir geh'n zusamm'n den Bach runter
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F C G G
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Denn ein Wrack ist ein Ort, an dem ein Schatz schlummert.
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[Part 2]
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Am F C Gm
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Jetzt sind wir frei, chillen auf gigantischen Berggipfeln
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Du musst dann sagen: Keiner kann unsern Schmerz diggen
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Wir sammeln erstmal fröhliche Kiff-Sonntage
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Für die hituntermalte Schnittmontage
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Komm schon, das wird romantisch
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Wenn ich dich halte, damit du nicht auf den Klorand brichst
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Dann verdienen wir ein Kerzen-Paket
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Für die erste WG auf 'nem Herren-WC
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Eine herbstliche Szene, weil es passt
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Und ich falle auf die Knie und hol aus meiner Jacke
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Eine kleine Schachtel, du weißt, was abgeht
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[Bridge]
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Am F C G
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Willst du mit mir Drogen nehmen?
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Am F C G
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Dann wird es rote Rosen regnen
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Am F C G
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Ich hab's in einer Soap gesehen
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Am F C G
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Willst du mit mir Drogen nehmen?
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[Refrain]
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F C G Am
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Komm! Komm, wir geh'n, komm, wir geh'n zusamm'n den Bach runter
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F C G Am
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Komm! Komm, wir geh'n, komm, wir geh'n zusamm'n den Bach runter
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F C G Am
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Komm! Komm, wir geh'n, komm, wir geh'n zusamm'n den Bach runter
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F C G G
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Denn ein Wrack ist ein Ort, an dem ein Schatz schlummert.
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[Part 3]
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Am F C G
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Und dann brauchen wir epische Fights, wer das lausige H kriegt
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Zuschauer: rauchende Babys
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Sie werden nicht verwöhnt, die müssen Fertigsuppe löffeln
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Und die spielen mit vom Körperbau entfernten Puppenköpfen
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Du willst raus per klischeehafter Flucht in ein Landhaus
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Ich brüll dann so was wie: "Gleich rutscht mir die Hand aus!
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Du wirst mit den Kindern nirgendwohin fahr'n!"
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Ich werd euch mit 'ner Axt durch ein Labyrinth jag'n
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Im Winter, weil ich das Bild feier
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Mach unser Leben filmreifer als Til Schweiger
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Es hat Action, Drama und Comedy
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Also was sagst du, mon chéri?
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[Bridge]
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Am F C G
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Willst du mit mir Drogen nehmen?
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Am F C G
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Dann wird es rote Rosen regnen
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Am F C G
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Um den Kinofilm die Show zu stehlen
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Am F C G
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Willst du mit mir Drogen nehmen?
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[Refrain]
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F C G Am
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Komm! Komm, wir geh'n, komm, wir geh'n zusamm'n den Bach runter
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F C G Am
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Komm! Komm, wir geh'n, komm, wir geh'n zusamm'n den Bach runter
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F C G Am
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Komm! Komm, wir geh'n, komm, wir geh'n zusamm'n den Bach runter
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F C G G
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Denn ein Wrack ist ein Ort, an dem ein Schatz schlummert.
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[Outro]
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F C G Am
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Komm, wir geh'n- (Den Bach runter)
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F C G Am
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Komm, wir geh'n- (Den Bach runter)
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F C G Am
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Komm, wir geh'n- (Den Bach runter)
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F C G Am
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Komm, wir geh'n, komm, wir geh'n zusamm'n den Bach runter.
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```
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41
src/Angus & Julia Stone - Santa Monica Dream.md
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41
src/Angus & Julia Stone - Santa Monica Dream.md
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[Verse 1]
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Goodbye to my Santa Monica dream
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||||||
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Fifteen kids in the backyard drinking wine
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You tell me stories of the sea
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And the ones you left behind
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||||||
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Goodbye to the roses on your street
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Goodbye to the paintings on the wall
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||||||
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Goodbye to the children we'll never meet
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And the ones we left behind
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And the ones we left behind
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||||||
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||||||
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[Chorus]
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I'm somewhere, you're somewhere
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I'm nowhere, you're nowhere
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You're somewhere, you're somewhere
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I could go there, but I don't
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[Verse 2]
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Rob's in the kitchen making pizza
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Somewhere down in Battery Park
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||||||
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I'm singing songs about the future
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||||||
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Wondering where you are
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||||||
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||||||
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[Bridge]
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||||||
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I could call you on the telephone
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||||||
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But do I really want to know?
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||||||
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You're making love now to the lady down the road
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||||||
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No, I don't, I don't want to know
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||||||
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||||||
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[Chorus]
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||||||
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I'm somewhere, you're somewhere
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||||||
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I'm nowhere, you're nowhere
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||||||
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You're somewhere, you're somewhere
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||||||
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I could go there, but I don't
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||||||
|
|
||||||
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[Outro]
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||||||
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Goodbye to my Santa Monica dream
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||||||
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Fifteen kids in the backyard drinking wine
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||||||
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You tell me stories of the sea
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||||||
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And the ones you left behind
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||||||
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And the ones we left behind
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||||||
98
src/AnnenMayKantereit - 3. Stock.md
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98
src/AnnenMayKantereit - 3. Stock.md
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~~~
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||||||
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[Intro]
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||||||
|
|
||||||
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Am Em 2x
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||||||
|
|
||||||
|
|
||||||
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[Verse]
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||||||
|
|
||||||
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Am Em
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Immer wieder schön, dich wieder zu sehen
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||||||
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Am Em
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Wird schlimmer, wenn du gehst
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||||||
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Am Em
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Am Bahnhof stehst, um den Zug zu nehmen
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Am
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||||||
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Sich lang' nicht wiedersehen.
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||||||
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Em Am
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||||||
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Wird schon irgendwie gehen,
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||||||
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Em
|
||||||
|
macht manchmal traurig.
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||||||
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||||||
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||||||
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[Interlude]
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||||||
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|
||||||
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Am Em 2x
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||||||
|
|
||||||
|
|
||||||
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[Chorus]
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||||||
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||||||
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Am G C Dm
|
||||||
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Ich würd gern mit dir in 'ner Altbauwohnung wohn'
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||||||
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Am G C Dm
|
||||||
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Zwei Zimmer, Küche, Bad und 'n kleiner Balkon
|
||||||
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Am G C Dm
|
||||||
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Ich würd gern mit dir in 'ner Altbauwohnung wohn'
|
||||||
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Am G C C
|
||||||
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Mit 'nem kleinen Balkon
|
||||||
|
|
||||||
|
|
||||||
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[Interlude]
|
||||||
|
|
||||||
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Am Em 2x
|
||||||
|
|
||||||
|
|
||||||
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[Verse]
|
||||||
|
|
||||||
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Am Em Am
|
||||||
|
Immer wieder Warten. In leisen Telefonaten
|
||||||
|
Em Am Em | Am | Em
|
||||||
|
Worauf genau, weiß ich nicht, vielleicht auf dein Gesicht
|
||||||
|
Am Em
|
||||||
|
Erzähl mir von dir, um mich abzulenken,
|
||||||
|
Am Em
|
||||||
|
wenn das traurige Gedanken denken beginnt,
|
||||||
|
Am Em
|
||||||
|
Beide blind, jeder auf seine Weise Schisser
|
||||||
|
Am Em
|
||||||
|
vertrauen ist gut, Kontrolle für Besserwisser
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
|
||||||
|
Am G C Dm
|
||||||
|
Ich würd gern mit dir in 'ner Altbauwohnung wohn'
|
||||||
|
Am G C Dm
|
||||||
|
Zwei Zimmer, Küche, Bad und 'n kleiner Balkon
|
||||||
|
Am G C Dm
|
||||||
|
Ich würd gern mit dir in 'ner Altbauwohnung wohn'
|
||||||
|
Am G C C
|
||||||
|
Mit 'nem kleinen Balkon
|
||||||
|
|
||||||
|
|
||||||
|
[Bridge]
|
||||||
|
|
||||||
|
Am F Dm F
|
||||||
|
Unsere Telefonate haben kein Ende aus und gut
|
||||||
|
Am F
|
||||||
|
gab es nie legst du als Erste auf
|
||||||
|
Dm F Am F | Dm | F
|
||||||
|
meinem Hochbett liegt ein Bild von dir
|
||||||
|
Am F Dm F
|
||||||
|
Unsere Telefonate haben kein Ende aus und gut
|
||||||
|
Am F
|
||||||
|
gab es nie legst du als Erste auf
|
||||||
|
Dm F Am F | Dm | F
|
||||||
|
meinem Hochbett liegt ein Bild von dir
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
|
||||||
|
Am G C Dm
|
||||||
|
Ich würd gern mit dir in 'ner Altbauwohnung wohn'
|
||||||
|
Am G C Dm
|
||||||
|
Zwei Zimmer, Küche, Bad und 'n kleiner Balkon
|
||||||
|
Am G C Dm
|
||||||
|
Ich würd gern mit dir in 'ner Altbauwohnung wohn'
|
||||||
|
Am G C
|
||||||
|
Ich würde auch manchmal morgens Brötchen holen
|
||||||
89
src/AnnenMayKantereit - Barfuß Am Klavier.md
Normal file
89
src/AnnenMayKantereit - Barfuß Am Klavier.md
Normal file
|
|
@ -0,0 +1,89 @@
|
||||||
|
~~~
|
||||||
|
[Intro]
|
||||||
|
Am F C
|
||||||
|
Am F C
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
Am F C
|
||||||
|
Und ich sitz schon wieder
|
||||||
|
Am F C
|
||||||
|
barfuß am Klavier,
|
||||||
|
Am F C
|
||||||
|
ich träume Liebeslieder
|
||||||
|
Am F C Cadd9
|
||||||
|
und sing dabei von dir.
|
||||||
|
|
||||||
|
[Verse]
|
||||||
|
Dm C
|
||||||
|
Und du und ich, wir waren wunderlich.
|
||||||
|
Fmaj7 Em
|
||||||
|
Nicht für mich, für die, die es störte,
|
||||||
|
Fmaj7
|
||||||
|
wenn man uns nachts hörte.
|
||||||
|
C Fmaj7
|
||||||
|
Ich hab mit dir gemeinsam einsam rumgesessen und geschwiegen,
|
||||||
|
Em Fmaj7
|
||||||
|
ich erinner mich am besten ans gemeinsam einsam liegen
|
||||||
|
C Fmaj7
|
||||||
|
jeden Morgen danach bei dir,
|
||||||
|
Em Fmaj7
|
||||||
|
du nackt im Bett und ich barfuß am Klavier.
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
Am F C
|
||||||
|
Und ich sitz schon wieder
|
||||||
|
Am F C
|
||||||
|
barfuß am Klavier,
|
||||||
|
Am F C
|
||||||
|
ich träume Liebeslieder
|
||||||
|
Am F C Cadd9
|
||||||
|
und sing dabei von dir.
|
||||||
|
|
||||||
|
[Verse]
|
||||||
|
Dm C
|
||||||
|
Und du und ich, wir war'n mal wir
|
||||||
|
Fmaj7
|
||||||
|
und sind jetzt nichts.
|
||||||
|
Em Fmaj7
|
||||||
|
Du da, ich hier.
|
||||||
|
C Fmaj7
|
||||||
|
Du wolltest alles wissen und das hat mich vertrieben
|
||||||
|
Em Fmaj7
|
||||||
|
eigentlich dich, du bist nicht länger geblieben
|
||||||
|
Em
|
||||||
|
bei mir.
|
||||||
|
Fmaj7
|
||||||
|
Also sitz ich um zu lieben
|
||||||
|
Em Dm
|
||||||
|
lieber barfuß am Klavier.
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
Am F C
|
||||||
|
Und ich sitz schon wieder
|
||||||
|
Am F C
|
||||||
|
barfuß am Klavier,
|
||||||
|
Am F C
|
||||||
|
ich träume Liebeslieder
|
||||||
|
Am F C Cadd9
|
||||||
|
und sing dabei von dir.
|
||||||
|
|
||||||
|
[Interlude]
|
||||||
|
Dm C
|
||||||
|
Und du und ich, das war zu wenig.
|
||||||
|
Fmaj7 Em Fmaj7 C
|
||||||
|
Fmaj7 Fm7 Fm6 Fm7 Fm6
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
Am F C
|
||||||
|
Und ich sitz schon wieder
|
||||||
|
Am F C
|
||||||
|
barfuß am Klavier
|
||||||
|
Am F C
|
||||||
|
und träum dabei von dir.
|
||||||
|
Am F C
|
||||||
|
Ich träum dabei von dir,
|
||||||
|
Am F C
|
||||||
|
ich träum dabei von dir.
|
||||||
|
|
||||||
|
[Outro]
|
||||||
|
Am F C
|
||||||
154
src/AnnenMayKantereit - Länger Bleiben.md
Normal file
154
src/AnnenMayKantereit - Länger Bleiben.md
Normal file
|
|
@ -0,0 +1,154 @@
|
||||||
|
~~~
|
||||||
|
Akkorde im Intro und den Versen:
|
||||||
|
Gm Dm Am
|
||||||
|
e|-3---5---5--|
|
||||||
|
B|-3---6---5--|
|
||||||
|
G|-3---7---5--|
|
||||||
|
D|-5---7---7--|
|
||||||
|
A|-5---5---7--|
|
||||||
|
E|-3---5---5--|
|
||||||
|
|
||||||
|
Die Griffe für die Akkordabfolge im Chorus gehen wie folgt:
|
||||||
|
(es können aber auch die Standardgriffe verwendet werden)
|
||||||
|
Dm A F G A# Dm E A
|
||||||
|
e|-10---9---8---7---6---5---4---5--|
|
||||||
|
B|-10---10--10--8---6---6---5---5--|
|
||||||
|
G|-10---9---10--7---7---7---4---6--|
|
||||||
|
D|-12---11--10--9---8---7---6---7--|
|
||||||
|
A|-12---12--8---10--8---5---7---7--|
|
||||||
|
E|-10---9---8---7---6---5---4---5--|
|
||||||
|
|
||||||
|
[Info]
|
||||||
|
Es kann mit Capo im 3. Bund gespielt werden, was das Picking ein wenig erleichtert.
|
||||||
|
Akkorde ändern sich dann wie folgt:
|
||||||
|
Intro & Vers: Em Bm F#m
|
||||||
|
Chorus: Bm F# D E G Bm C# F#
|
||||||
|
Die Griffe für die Akkorde bleiben dennoch exakt derselben Stellen,
|
||||||
|
als würde man ohne Capo spielen.
|
||||||
|
|
||||||
|
[Intro]
|
||||||
|
Gm Gm Gm Gm
|
||||||
|
e|-----------------|-----------------|-----------------|-----------------|
|
||||||
|
B|-----3-----3-----|-5p3---5---3-----|-----3-----3-----|-5p3---5---6---0-|
|
||||||
|
G|---3-----3-----3-|-----3---------3-|---3-----3-----3-|-----3-----------|
|
||||||
|
D|-5-----5-----5---|-----------------|-5-----5-----5---|-----------------| 2x
|
||||||
|
A|-----------------|-----------------|-----------------|-----------------|
|
||||||
|
E|-----------------|-----------------|-----------------|-----------------|
|
||||||
|
Gm Gm Gm Gm Dm
|
||||||
|
e|-----------------|-----------------|-----------------|-----------------|
|
||||||
|
B|-----3-----3-----|-5p3---5---3-----|-----3-----3-----|-5p3---5---6-----|
|
||||||
|
G|---3-----3-----3-|-----3---------3-|---3-----3-----3-|-----3---------7-|
|
||||||
|
D|-5-----5-----5---|-----------------|-5-----5-----5---|--------------(7)|
|
||||||
|
A|-----------------|-----------------|-----------------|-----------------|
|
||||||
|
E|-----------------|-----------------|-----------------|-----------------|
|
||||||
|
Dm Dm Dm Am
|
||||||
|
e|-----------------|-----------------|-----------------|-----------------|
|
||||||
|
B|-----6p5---5-----|-5h6---6---------|-----6p5---5---5-|-----------------|
|
||||||
|
G|-----7---------7-|-------7---7-----|-----7---------5-|-----------5-----|
|
||||||
|
D|----(7)----------|------(7)-(7)----|----(7)--------7-|---7---7-----7p5-|
|
||||||
|
A|-----------------|-----------------|-----------------|-----------------|
|
||||||
|
E|-----------------|-----------------|-----------------|-----------------|
|
||||||
|
|
||||||
|
[Verse 1]
|
||||||
|
Gm
|
||||||
|
Die nächste Bahn kommt eh erst inner Stunde.
|
||||||
|
|
||||||
|
Komm ich hol noch 'ne Runde
|
||||||
|
Dm
|
||||||
|
und ich muss auch früh raus.
|
||||||
|
Am
|
||||||
|
Das ist keine gute Ausrede.
|
||||||
|
Gm
|
||||||
|
Und bei dem Regen würd' ich eh nich nach Hause gehen,
|
||||||
|
|
||||||
|
du kannst gern mal nach draußen sehen.
|
||||||
|
Dm
|
||||||
|
Das ist 'ne viel bessere Ausrede als deine.
|
||||||
|
Am
|
||||||
|
Du weißt, was ich meine.
|
||||||
|
Gm
|
||||||
|
Und du musst nicht, aber du könntest
|
||||||
|
Dm
|
||||||
|
noch 'n bisschen
|
||||||
|
Am
|
||||||
|
länger bleiben.
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
Dm A
|
||||||
|
Willst du nicht länger bleiben?
|
||||||
|
F G
|
||||||
|
Das ist echt kein Problem.
|
||||||
|
A# Dm
|
||||||
|
Willst du nicht länger bleiben?
|
||||||
|
E A
|
||||||
|
Und warum willst du jetzt schon gehen?
|
||||||
|
Dm A
|
||||||
|
Willst du nicht länger bleiben?
|
||||||
|
F G
|
||||||
|
Das ist echt kein Problem.
|
||||||
|
A# Dm
|
||||||
|
Willst du nicht länger bleiben?
|
||||||
|
E A
|
||||||
|
Und warum willst du jetzt schon gehen?
|
||||||
|
|
||||||
|
[Interlude]
|
||||||
|
Gm Gm Gm Gm Dm
|
||||||
|
e|-----------------|-----------------|-----------------|-----------------|
|
||||||
|
B|-----3-----3-----|-5p3---5---3-----|-----3-----3-----|-5p3---5---6-----|
|
||||||
|
G|---3-----3-----3-|-----3---------3-|---3-----3-----3-|-----3---------7-|
|
||||||
|
D|-5-----5-----5---|-----------------|-5-----5-----5---|--------------(7)|
|
||||||
|
A|-----------------|-----------------|-----------------|-----------------|
|
||||||
|
E|-----------------|-----------------|-----------------|-----------------|
|
||||||
|
Dm Dm Dm Am
|
||||||
|
e|-----------------|-----------------|-----------------|-----------------|
|
||||||
|
B|-----6p5---5-----|-5h6---6---------|-----6p5---5---5-|-----------------|
|
||||||
|
G|-----7---------7-|-------7---7-----|-----7---------5-|-----------5-----|
|
||||||
|
D|----(7)----------|------(7)-(7)----|----(7)--------7-|---7---7-----7p5-|
|
||||||
|
A|-----------------|-----------------|-----------------|-----------------|
|
||||||
|
E|-----------------|-----------------|-----------------|-----------------|
|
||||||
|
|
||||||
|
[Verse 2]
|
||||||
|
Gm
|
||||||
|
Soll ich noch kurz zum Kiosk gehen?
|
||||||
|
|
||||||
|
Und dann kauf' ich so 'ne billige Flasche Wein
|
||||||
|
Dm
|
||||||
|
und die trinken wir zu zweit
|
||||||
|
Am
|
||||||
|
und dann rauchen wir am Fenster.
|
||||||
|
Gm
|
||||||
|
Aber wir müssen 'n bisschen leiser sein,
|
||||||
|
|
||||||
|
sonst wacht mein Mitbewohner auf
|
||||||
|
Dm Am
|
||||||
|
und dann will der auch 'was trinken.
|
||||||
|
Gm
|
||||||
|
Und du probierst schon den ganzen Abend zu gehen,
|
||||||
|
|
||||||
|
ohne dass es komisch ist.
|
||||||
|
Dm
|
||||||
|
Aber ich sorg schon dafür,
|
||||||
|
Am
|
||||||
|
dass es immer komisch ist.
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
Dm A
|
||||||
|
Willst du nicht länger bleiben?
|
||||||
|
F G
|
||||||
|
Das ist echt kein Problem.
|
||||||
|
A# Dm
|
||||||
|
Willst du nicht länger bleiben?
|
||||||
|
E A
|
||||||
|
Und warum willst du jetzt schon gehen?
|
||||||
|
Dm A
|
||||||
|
Willst du nicht länger bleiben?
|
||||||
|
F G
|
||||||
|
Das ist echt kein Problem.
|
||||||
|
A# Dm
|
||||||
|
Willst du nicht länger bleiben?
|
||||||
|
E A Dm A F G A# Dm
|
||||||
|
Und warum willst du jetzt schon gehen?
|
||||||
|
E A Dm A F G A# Dm
|
||||||
|
Und warum willst du jetzt schon gehen?
|
||||||
|
E A Dm
|
||||||
|
Und warum willst du jetzt schon gehen?
|
||||||
120
src/Avi Kaplan - Change On The Rise.md
Normal file
120
src/Avi Kaplan - Change On The Rise.md
Normal file
|
|
@ -0,0 +1,120 @@
|
||||||
|
~~~
|
||||||
|
[Verse 1]
|
||||||
|
Cm Bb
|
||||||
|
Without the light
|
||||||
|
F Cm
|
||||||
|
Oh the darkness comes
|
||||||
|
Cm Bb
|
||||||
|
Hold through the night
|
||||||
|
F Cm
|
||||||
|
The shadows will run
|
||||||
|
|
||||||
|
|
||||||
|
[Pre-Chorus]
|
||||||
|
Cm Bb
|
||||||
|
Fend off the enemy
|
||||||
|
F
|
||||||
|
Sing out the jubilee
|
||||||
|
Cm
|
||||||
|
With all the fire we can breathe
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
Cm Bb
|
||||||
|
We're singing all day and you can't tame it
|
||||||
|
F
|
||||||
|
High tide or low tide you know
|
||||||
|
Cm
|
||||||
|
Night time or morning time, yeah
|
||||||
|
C
|
||||||
|
We're going strong
|
||||||
|
Cm Bb
|
||||||
|
Headed up down the river oh Lord
|
||||||
|
F
|
||||||
|
I feel the reveling
|
||||||
|
Cm
|
||||||
|
I feel a change on the rise
|
||||||
|
|
||||||
|
|
||||||
|
[Verse 2]
|
||||||
|
Cm Bb
|
||||||
|
What good's a man
|
||||||
|
F Cm
|
||||||
|
Who's lost his soul
|
||||||
|
Cm Bb
|
||||||
|
Can't take a stand
|
||||||
|
F Cm
|
||||||
|
When his flame's gone cold
|
||||||
|
|
||||||
|
|
||||||
|
[Pre-Chorus]
|
||||||
|
Cm Bb
|
||||||
|
Fend off the enemy
|
||||||
|
F
|
||||||
|
Sing out the jubilee
|
||||||
|
Cm
|
||||||
|
With all the fire we can breathe
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
Cm Bb
|
||||||
|
We're singing all day and you can't tame it
|
||||||
|
F
|
||||||
|
High tide or low tide you know
|
||||||
|
Cm
|
||||||
|
Night time or morning time, yeah
|
||||||
|
C
|
||||||
|
We're going strong
|
||||||
|
Cm Bb
|
||||||
|
Headed up down the river oh Lord
|
||||||
|
F
|
||||||
|
I feel the reveling
|
||||||
|
Cm
|
||||||
|
I feel a change on the rise
|
||||||
|
|
||||||
|
|
||||||
|
[Bridge]
|
||||||
|
Cm Bb
|
||||||
|
I feel a change on the-
|
||||||
|
Fm
|
||||||
|
I feel a change on the rise
|
||||||
|
Cm Bb
|
||||||
|
I feel a change on the-
|
||||||
|
Fm
|
||||||
|
I feel a change on the rise
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
Cm Bb
|
||||||
|
We're singing all day and you can't tame it
|
||||||
|
F
|
||||||
|
High tide or low tide you know
|
||||||
|
Cm
|
||||||
|
Night time or morning time, yeah
|
||||||
|
C
|
||||||
|
We're going strong
|
||||||
|
Cm Bb
|
||||||
|
Headed up down the river oh Lord
|
||||||
|
F
|
||||||
|
I feel the reveling
|
||||||
|
Cm
|
||||||
|
I feel a change on the rise
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
Cm Bb
|
||||||
|
We're singing all day and you can't tame it
|
||||||
|
F
|
||||||
|
High tide or low tide you know
|
||||||
|
Cm
|
||||||
|
Night time or morning time, yeah
|
||||||
|
C
|
||||||
|
We're going strong
|
||||||
|
Cm Bb
|
||||||
|
Headed up down the river oh Lord
|
||||||
|
F
|
||||||
|
I feel the reveling
|
||||||
|
Cm Fm
|
||||||
|
I feel a change on the rise
|
||||||
|
Cm
|
||||||
|
I feel a change on the rise
|
||||||
61
src/Avi Kaplan - Quarter Past Four.md
Normal file
61
src/Avi Kaplan - Quarter Past Four.md
Normal file
|
|
@ -0,0 +1,61 @@
|
||||||
|
~~~
|
||||||
|
[Intro]
|
||||||
|
Bm A D
|
||||||
|
G Bm A (all x2)
|
||||||
|
|
||||||
|
[Verse]
|
||||||
|
Bm A D
|
||||||
|
Quarter past four and I'm feeling alright
|
||||||
|
G Bm A G
|
||||||
|
I'd love to close my eyes, but I can never rest my mind
|
||||||
|
Bm A D
|
||||||
|
Thinking where I'm going to and where I've been
|
||||||
|
G Bm A G
|
||||||
|
While a thousand other worries are floating in the wind
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
Bm A D G
|
||||||
|
And I can't keep them all away
|
||||||
|
Bm A
|
||||||
|
But it turns out fine
|
||||||
|
D G
|
||||||
|
It turns out fine
|
||||||
|
Bm A D G
|
||||||
|
And I can't keep them all away
|
||||||
|
Bm A
|
||||||
|
But it turns out fine
|
||||||
|
D G
|
||||||
|
It turns out fine
|
||||||
|
|
||||||
|
[Interlude]
|
||||||
|
Bm A D
|
||||||
|
G Bm A (all x2)
|
||||||
|
|
||||||
|
[Verse 2]
|
||||||
|
Bm A D
|
||||||
|
Never really thought I'd get to see this day
|
||||||
|
G Bm A G
|
||||||
|
When my heart is in the future while my body rides the wave
|
||||||
|
Bm A D
|
||||||
|
Thankful everyday I get to rise again
|
||||||
|
G Bm A G
|
||||||
|
When my eyes start to open as the sunlight warms my skin
|
||||||
|
|
||||||
|
[Chorus 2]
|
||||||
|
Bm A D G
|
||||||
|
And I have troubles everyday
|
||||||
|
Bm A
|
||||||
|
But it turns out fine
|
||||||
|
D G
|
||||||
|
It turns out fine
|
||||||
|
Bm A D G
|
||||||
|
And I fight to keep them all away
|
||||||
|
Bm A
|
||||||
|
But it turns out fine
|
||||||
|
D G
|
||||||
|
It turns out fine
|
||||||
|
|
||||||
|
[Outro]
|
||||||
|
Bm A D
|
||||||
|
G Bm A
|
||||||
|
(all x4 till fade out)
|
||||||
175
src/Avril Lavigne - Bite Me.md
Normal file
175
src/Avril Lavigne - Bite Me.md
Normal file
|
|
@ -0,0 +1,175 @@
|
||||||
|
~~~
|
||||||
|
[Chorus 1]
|
||||||
|
Cm Ab Eb
|
||||||
|
Hey you You should have known better
|
||||||
|
Bb
|
||||||
|
better to fuck with someone like me
|
||||||
|
Cm Ab Eb
|
||||||
|
Hey you Forever and ever you’re going
|
||||||
|
Bb
|
||||||
|
to wish I was your wifey
|
||||||
|
|
||||||
|
|
||||||
|
[Verse 1]
|
||||||
|
Ab
|
||||||
|
Don’t act so innocent
|
||||||
|
Cm Bb
|
||||||
|
This was no accident
|
||||||
|
Ab
|
||||||
|
You planned this in the end
|
||||||
|
Cm Bb
|
||||||
|
And now it’s over
|
||||||
|
Ab
|
||||||
|
Say what you want to say
|
||||||
|
Cm Bb
|
||||||
|
You lied and I got played
|
||||||
|
Ab
|
||||||
|
You threw it all away
|
||||||
|
Cm Bb
|
||||||
|
And now it’s over
|
||||||
|
|
||||||
|
|
||||||
|
[Refrain 1]
|
||||||
|
Ab
|
||||||
|
Just face it
|
||||||
|
We didn’t make it
|
||||||
|
Bb
|
||||||
|
You bit off more
|
||||||
|
than you can chew
|
||||||
|
Can you taste it?
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus 2]
|
||||||
|
Cm Ab Eb
|
||||||
|
Hey you You should have known better
|
||||||
|
Bb
|
||||||
|
better to fuck with someone like me
|
||||||
|
Cm Ab Eb
|
||||||
|
Hey you Forever and ever you’re going
|
||||||
|
Bb
|
||||||
|
to wish I was your wifey
|
||||||
|
Cm
|
||||||
|
Should have held on
|
||||||
|
Ab
|
||||||
|
Should have treated me right
|
||||||
|
Eb
|
||||||
|
I gave you one chance
|
||||||
|
Bb
|
||||||
|
You don’t get it twice
|
||||||
|
Cm Ab Eb
|
||||||
|
Hey you And we’ll be together
|
||||||
|
Bb
|
||||||
|
never So baby you can bite me
|
||||||
|
|
||||||
|
|
||||||
|
[Verse 2]
|
||||||
|
Ab Cm
|
||||||
|
Don’t hold your breath
|
||||||
|
Bb
|
||||||
|
Cause you’re still choking
|
||||||
|
Ab
|
||||||
|
on your words Those things you
|
||||||
|
Cm Bb
|
||||||
|
said might be the last ones
|
||||||
|
Ab
|
||||||
|
that I heard So come pick up
|
||||||
|
your clothes from the front yard
|
||||||
|
Cm Bb
|
||||||
|
Sprinklers on burn the rest in
|
||||||
|
Ab
|
||||||
|
the backyard Should have had
|
||||||
|
the guts just to say goodbye
|
||||||
|
Cm
|
||||||
|
Now you’re going to have regrets
|
||||||
|
Bb
|
||||||
|
for the rest of your life
|
||||||
|
|
||||||
|
|
||||||
|
[Refrain 2]
|
||||||
|
Ab
|
||||||
|
Just face it
|
||||||
|
We didn’t make it
|
||||||
|
Bb
|
||||||
|
You bit off more
|
||||||
|
than you can chew
|
||||||
|
Can you taste it?
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus 3]
|
||||||
|
Cm Ab Eb
|
||||||
|
Hey you You should have known better
|
||||||
|
Bb
|
||||||
|
better to fuck with someone like me
|
||||||
|
Cm Ab Eb
|
||||||
|
Hey you Forever and ever you’re going
|
||||||
|
Bb
|
||||||
|
to wish I was your wifey
|
||||||
|
Cm
|
||||||
|
Should have held on
|
||||||
|
Ab
|
||||||
|
Should have treated me right
|
||||||
|
Eb
|
||||||
|
I gave you one chance
|
||||||
|
Bb
|
||||||
|
You don’t get it twice
|
||||||
|
Cm Ab Eb
|
||||||
|
Hey you And we’ll be together
|
||||||
|
Bb
|
||||||
|
never So baby you can bite me
|
||||||
|
|
||||||
|
|
||||||
|
[Bridge]
|
||||||
|
Cm
|
||||||
|
I bet you taste me on
|
||||||
|
Ab
|
||||||
|
the tip of your tongue
|
||||||
|
Eb
|
||||||
|
Tip of your tongue
|
||||||
|
Bb/D
|
||||||
|
Tip of your tongue
|
||||||
|
Cm
|
||||||
|
I fell fast when
|
||||||
|
Ab
|
||||||
|
I know I should have run
|
||||||
|
Eb
|
||||||
|
Know I should have run
|
||||||
|
Bb/D
|
||||||
|
Know I should have run
|
||||||
|
Cm
|
||||||
|
I bet you taste me on
|
||||||
|
Ab
|
||||||
|
the tip of your tongue
|
||||||
|
Eb
|
||||||
|
Tip of your tongue
|
||||||
|
Bb/D
|
||||||
|
Tip of your tongue
|
||||||
|
Cm
|
||||||
|
I fell fast when
|
||||||
|
Ab
|
||||||
|
I know I should have run
|
||||||
|
Eb
|
||||||
|
Know I should have run
|
||||||
|
Bb/D
|
||||||
|
Know I should have run
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus 4/Outro]
|
||||||
|
Ab
|
||||||
|
Hey you You should have known better
|
||||||
|
better to fuck with someone like me
|
||||||
|
Cm Ab Eb
|
||||||
|
Hey you Forever and ever you’re going
|
||||||
|
Bb
|
||||||
|
to wish I was your wifey
|
||||||
|
Cm
|
||||||
|
Should have held on
|
||||||
|
Ab
|
||||||
|
Should have treated me right
|
||||||
|
Eb
|
||||||
|
I gave you one chance
|
||||||
|
Bb
|
||||||
|
You don’t get it twice
|
||||||
|
Cm Ab Eb
|
||||||
|
Hey you And we’ll be together
|
||||||
|
Bb
|
||||||
|
never So baby you can bite me
|
||||||
51
src/Avril Lavigne - Keep Holding On.md
Normal file
51
src/Avril Lavigne - Keep Holding On.md
Normal file
|
|
@ -0,0 +1,51 @@
|
||||||
|
You're not alone, together we stand
|
||||||
|
I'll be by your side, you know, I'll take your hand
|
||||||
|
When it gets cold and it feels like the end
|
||||||
|
There's no place to go, you know, I won't give in
|
||||||
|
No, I won't give in
|
||||||
|
Keep holding on
|
||||||
|
'Cause you know we'll make it through, we'll make it through
|
||||||
|
Just stay strong
|
||||||
|
'Cause you know I'm here for you, I'm here for you
|
||||||
|
There's nothing you could say (nothing you could say)
|
||||||
|
Nothing you could do (nothing you could do)
|
||||||
|
There's no other way when it comes to the truth
|
||||||
|
So keep holding on
|
||||||
|
'Cause you know we'll make it through, we'll make it through
|
||||||
|
So far away, I wish you were here
|
||||||
|
Before it's too late, this could all disappear
|
||||||
|
Before the doors close and it comes to an end
|
||||||
|
With you by my side, I will fight and defend
|
||||||
|
I'll fight and defend, yeah, yeah
|
||||||
|
Keep holding on
|
||||||
|
'Cause you know we'll make it through, we'll make it through
|
||||||
|
Just stay strong
|
||||||
|
'Cause you know I'm here for you, I'm here for you
|
||||||
|
There's nothing you could say (nothing you could say)
|
||||||
|
Nothing you could do (nothing you could do)
|
||||||
|
There's no other way when it comes to the truth
|
||||||
|
So keep holding on
|
||||||
|
'Cause you know we'll make it through, we'll make it through
|
||||||
|
Hear me when I say, when I say, "I believe"
|
||||||
|
Nothing's gonna change, nothing's gonna change destiny
|
||||||
|
Whatever is meant to be will work out perfectly
|
||||||
|
Yeah, yeah, yeah, yeah
|
||||||
|
La, da-da-da
|
||||||
|
La, da-da-da
|
||||||
|
La, da-da-da-da-da-da-da-da
|
||||||
|
Keep holding on
|
||||||
|
'Cause you know we'll make it through, we'll make it through
|
||||||
|
Just stay strong
|
||||||
|
'Cause you know I'm here for you, I'm here for you
|
||||||
|
There's nothing you could say (nothing you could say)
|
||||||
|
Nothing you could do (nothing you could do)
|
||||||
|
There's no other way when it comes to the truth
|
||||||
|
So keep holding on
|
||||||
|
'Cause you know we'll make it through, we'll make it through
|
||||||
|
keep holding on
|
||||||
|
(Ah-ah, ah-ah) keep holding on
|
||||||
|
There's nothing you could say (nothing you could say)
|
||||||
|
Nothing you could do (nothing you could do)
|
||||||
|
There's no other way when it comes to the truth
|
||||||
|
So keep holding on
|
||||||
|
'Cause you know we'll make it through, we'll make it through
|
||||||
176
src/Bo Burnham - Comedy.md
Normal file
176
src/Bo Burnham - Comedy.md
Normal file
|
|
@ -0,0 +1,176 @@
|
||||||
|
~~~
|
||||||
|
[Intro]
|
||||||
|
Dm
|
||||||
|
The world is changing
|
||||||
|
Db+
|
||||||
|
The planet's heating up
|
||||||
|
F/C G7 C C#dim
|
||||||
|
What the fuck is going on?
|
||||||
|
Dm
|
||||||
|
Rearranging
|
||||||
|
Db+ F/C
|
||||||
|
It's like everything happened all at once
|
||||||
|
G7 C C#dim
|
||||||
|
Um, what the fuck is going on?
|
||||||
|
Bb C F Dm C Bb
|
||||||
|
The people rising in the streets, the war, the drought
|
||||||
|
Bb C F Dm Bb
|
||||||
|
The more I look the more I see nothing to joke about
|
||||||
|
Bb C
|
||||||
|
Is comedy over?
|
||||||
|
F
|
||||||
|
Should I leave you alone?
|
||||||
|
Dm C Bb C
|
||||||
|
'Cause, really who's gonna go for joking at a time like this?
|
||||||
|
F Dm Am
|
||||||
|
Should I be joking at a time like this?
|
||||||
|
|
||||||
|
[Pre-Chorus]
|
||||||
|
Bb C F Dm C
|
||||||
|
I wanna help to leave this world better than I found it
|
||||||
|
Bb C
|
||||||
|
And I fear that comedy won't help
|
||||||
|
F Dm C
|
||||||
|
And the fear is not unfounded
|
||||||
|
Bb C
|
||||||
|
Should I stop trying to be funny?
|
||||||
|
A7 Dm C Bb
|
||||||
|
Should I give away my money? No!
|
||||||
|
Bbm
|
||||||
|
What do I do?
|
||||||
|
|
||||||
|
[Pre-Verse]
|
||||||
|
Dm C F Dm
|
||||||
|
Healing the world with comedy
|
||||||
|
C Bb Gm
|
||||||
|
The indescribable power of your comedy
|
||||||
|
Dm C F
|
||||||
|
The world needs direction
|
||||||
|
Dm Eb
|
||||||
|
From a white guy like me (Bingo)
|
||||||
|
Bb
|
||||||
|
Who is healing the world with comedy
|
||||||
|
That's it!
|
||||||
|
|
||||||
|
[Verse 1]
|
||||||
|
Dm C F Dm
|
||||||
|
The world is so fucked up
|
||||||
|
C
|
||||||
|
Systematic oppression
|
||||||
|
Bb Gm
|
||||||
|
Income inequality
|
||||||
|
Dm
|
||||||
|
The other stuff
|
||||||
|
F Dm
|
||||||
|
And there's only one thing I can do about it...
|
||||||
|
Eb Bb
|
||||||
|
While... while being paid, and being the center of attention
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
Dm C F Dm
|
||||||
|
Healing the world with comedy
|
||||||
|
C Bb Gm
|
||||||
|
Making a literal difference, metaphorically
|
||||||
|
Dm C F
|
||||||
|
A Jew walks into a bar
|
||||||
|
Dm Eb
|
||||||
|
And I've saved him a seat
|
||||||
|
Bb
|
||||||
|
That's healing the world with comedy
|
||||||
|
|
||||||
|
[Verse 2]
|
||||||
|
Dm C
|
||||||
|
I'm a special kind of white guy
|
||||||
|
F Dm C
|
||||||
|
I self-reflected and I want to be an agent of change
|
||||||
|
Bb
|
||||||
|
So I am going to use my privilege for the good
|
||||||
|
Gm
|
||||||
|
(Very cool, way to go!)
|
||||||
|
Dm C
|
||||||
|
American white guys
|
||||||
|
F Dm Eb
|
||||||
|
We've had the floor for at least 400 years
|
||||||
|
Bb Gm
|
||||||
|
So maybe I should just shut the fuck up
|
||||||
|
N.C.
|
||||||
|
...I'm bored
|
||||||
|
Dm C
|
||||||
|
I don't wanna do that
|
||||||
|
F Dm
|
||||||
|
There's got to be another way (Yes)
|
||||||
|
C Bb Gm
|
||||||
|
For me to help out without standing on the sidelines (Never)
|
||||||
|
Dm C
|
||||||
|
The wait is over!
|
||||||
|
F Dm
|
||||||
|
I'm white, and I'm here to save the day!
|
||||||
|
Eb Bb
|
||||||
|
Lord help me channel Sandra Bullock in The Blind Side (Sandra Bullock!)
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
Dm C F Dm
|
||||||
|
Healing the world with comedy
|
||||||
|
C Bb Gm
|
||||||
|
Making a literal difference, metaphorically
|
||||||
|
Dm C F
|
||||||
|
And yes, most likely they'll pay me
|
||||||
|
Dm Eb
|
||||||
|
But I'd do it for free
|
||||||
|
Bb
|
||||||
|
I am healing the world with: Comedy
|
||||||
|
|
||||||
|
[Bridge]
|
||||||
|
Bb F C
|
||||||
|
If you wake up in a house that's full of smoke
|
||||||
|
Dm C Bb
|
||||||
|
Don't panic, call me and I'll tell you a joke
|
||||||
|
Bb F C
|
||||||
|
If you see white men dressed in white cloaks
|
||||||
|
Dm Am Bb
|
||||||
|
Don't panic, call me and I'll tell you a joke
|
||||||
|
F A7 Dm C
|
||||||
|
Oh shit, should I be joking in a time like this?
|
||||||
|
Bb F C
|
||||||
|
If you start to smell burning toast
|
||||||
|
Dm C Bb
|
||||||
|
You're having a stroke or overcooking your toast
|
||||||
|
Bb F C
|
||||||
|
If you wake up in a house that's full of smoke
|
||||||
|
Dm C Bb
|
||||||
|
Don't panic, call me and I'll tell you a joke
|
||||||
|
Bb F C
|
||||||
|
If you see white men dressed in white cloaks
|
||||||
|
Dm Am Bb
|
||||||
|
Don't panic, call me and I'll tell you a joke
|
||||||
|
F A7 Dm C
|
||||||
|
Oh shit, should I be joking in a time like this?
|
||||||
|
Bb Bbm
|
||||||
|
Somebody help me out, 'cause I don't know
|
||||||
|
|
||||||
|
[Pre-Chorus]
|
||||||
|
Bb C F Dm C
|
||||||
|
And I wanna help to leave this world better than I found it
|
||||||
|
Bb C
|
||||||
|
And I fear that comedy won't help
|
||||||
|
F Dm C
|
||||||
|
And the fear is not unfounded
|
||||||
|
Bb C
|
||||||
|
Should I stop trying to be funny?
|
||||||
|
A7 Dm C Bb
|
||||||
|
Should I give away my money? No!
|
||||||
|
C7 D7
|
||||||
|
I know what I gotta do!
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
Em D G Em
|
||||||
|
Healing the world with comedy
|
||||||
|
D C Am
|
||||||
|
Making a literal difference, metaphorically
|
||||||
|
Em D G
|
||||||
|
I swore I'd never be back
|
||||||
|
Em F
|
||||||
|
But now I'm back on my feet
|
||||||
|
C Am
|
||||||
|
And I'm healing the world with comedy
|
||||||
188
src/Bo Burnham - How The World Works.md
Normal file
188
src/Bo Burnham - How The World Works.md
Normal file
|
|
@ -0,0 +1,188 @@
|
||||||
|
~~~
|
||||||
|
[Intro: Bo Burnham]
|
||||||
|
Em A
|
||||||
|
Hey, kids
|
||||||
|
D D B/D#
|
||||||
|
Today, we're gonna learn about the world
|
||||||
|
|
||||||
|
|
||||||
|
[Verse 1: Bo Burnham]
|
||||||
|
Em A
|
||||||
|
The world that's around us
|
||||||
|
D
|
||||||
|
Is pretty amazing
|
||||||
|
D
|
||||||
|
But how does it work?
|
||||||
|
B/D#
|
||||||
|
It must be complicated
|
||||||
|
Em A D
|
||||||
|
The secret is the world can only work
|
||||||
|
D B/D#
|
||||||
|
When everything works together
|
||||||
|
|
||||||
|
|
||||||
|
[Verse 2: Bo Burnham]
|
||||||
|
Em A
|
||||||
|
A bee drinks from a flower
|
||||||
|
D
|
||||||
|
And leaves with its pollen
|
||||||
|
D
|
||||||
|
A squirrel in a tree
|
||||||
|
B/D# Em
|
||||||
|
Spreads the seeds that have fallen
|
||||||
|
A
|
||||||
|
Everything works together
|
||||||
|
D B/D# Em A
|
||||||
|
The biggest elephant, the littlest fly
|
||||||
|
D B/D# Em A
|
||||||
|
The gophers underground, the birds in the sky
|
||||||
|
A#/D# Bm Daug/Bb D/A Bm6/G#
|
||||||
|
And every single cricket, every fish in the sea
|
||||||
|
G E A
|
||||||
|
Gives what they can and gets what they need
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus: Bo Burnham]
|
||||||
|
D Bm/G#
|
||||||
|
That is how the world works
|
||||||
|
G E/G# A
|
||||||
|
That is how the world works
|
||||||
|
D
|
||||||
|
From A to Zebra
|
||||||
|
F#7 Bm
|
||||||
|
To the worms in the dirt
|
||||||
|
G Dsus4/A
|
||||||
|
That's how it works
|
||||||
|
|
||||||
|
[Interlude 1: Bo Burnham & Socko]
|
||||||
|
D F#m/C#
|
||||||
|
Hey everyone
|
||||||
|
Bm7
|
||||||
|
Look who stopped by to say hello
|
||||||
|
F#m/C#
|
||||||
|
It's Socko
|
||||||
|
D
|
||||||
|
Hey!
|
||||||
|
F#m/C#
|
||||||
|
Where you been, Socko?
|
||||||
|
Bm7 F#m/C#
|
||||||
|
I've been where I always am when you're not wearing me on your hand
|
||||||
|
D F#m/C# Bm7
|
||||||
|
In a frightening, liminal space between states of being
|
||||||
|
F#m/C#
|
||||||
|
Not quite dead, not quite alive
|
||||||
|
D F#m/C#
|
||||||
|
It's similar to a constant state of sleep paralysis
|
||||||
|
Bm7 F#m/C#
|
||||||
|
Socko, we were just talking about the world and how it works
|
||||||
|
D F#m/C#
|
||||||
|
Boy, that sounds complicated!
|
||||||
|
Bm7
|
||||||
|
Do you have anything you'd want to teach us about the world?
|
||||||
|
F#m/C# D
|
||||||
|
I wouldn't say anything that you probably haven't already said yourself
|
||||||
|
F#m/C#
|
||||||
|
I don't know about that, Socko
|
||||||
|
E A
|
||||||
|
How about you give it a try?
|
||||||
|
Alright!
|
||||||
|
|
||||||
|
|
||||||
|
[Verse 3: Socko]
|
||||||
|
Em A D
|
||||||
|
The simple narrative taught in every history class
|
||||||
|
D B/D# Em
|
||||||
|
Is demonstrably false and pedagogically classist
|
||||||
|
A D
|
||||||
|
Don't you know the world is built with blood?
|
||||||
|
D B/D#
|
||||||
|
And genocide and exploitation
|
||||||
|
Em A D
|
||||||
|
The global network of capital essentially functions
|
||||||
|
D B/D# Em
|
||||||
|
To separate the worker from the means of production
|
||||||
|
A D
|
||||||
|
And the FBI killed Martin Luther King
|
||||||
|
D B/D# Em A
|
||||||
|
Private property's inherently theft
|
||||||
|
D B/D# Em A
|
||||||
|
And neoliberal fascists are destroying the left
|
||||||
|
F#/A# Bm Daug/Bb D/A Bm6/G#
|
||||||
|
And every politician, every cop on the street
|
||||||
|
G E A
|
||||||
|
Protects the interests of the pedophilic corporate elite
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus: Socko & Bo Burnham]
|
||||||
|
D Bm/G#
|
||||||
|
That is how the world works
|
||||||
|
Really?
|
||||||
|
G E/G# A
|
||||||
|
That is how the world works
|
||||||
|
D F#7 Bm
|
||||||
|
Genocide, the Natives say you got to it first
|
||||||
|
G D/A
|
||||||
|
That's how it works
|
||||||
|
|
||||||
|
|
||||||
|
[Interlude 2: Bo Burnham & Socko]
|
||||||
|
D F#m/C#
|
||||||
|
That's pretty intense
|
||||||
|
Bm
|
||||||
|
No shit
|
||||||
|
F#m/C#
|
||||||
|
What can I do to help?
|
||||||
|
D
|
||||||
|
Read a book or something, I don't know
|
||||||
|
F#m/C# Bm7
|
||||||
|
Just don't burden me with the responsibility of educating you
|
||||||
|
F#m/C#
|
||||||
|
It's incredibly exhausting
|
||||||
|
D
|
||||||
|
I'm sorry, Socko
|
||||||
|
F#m/C# Bm7
|
||||||
|
I was just trying to become a better person
|
||||||
|
F#m/C# D
|
||||||
|
Why do you rich fucking white people insist on seeing every
|
||||||
|
F#m/C# Bm7 F#m/C#
|
||||||
|
socio-political conflict through the myopic lens of your own self-actualization?
|
||||||
|
D
|
||||||
|
This isn't about you
|
||||||
|
F#m/C# Bm7
|
||||||
|
So either get with it, or get out of the fucking way
|
||||||
|
Watch your mouth, buddy
|
||||||
|
F#m/C# D
|
||||||
|
Remember who's on whose hand here
|
||||||
|
But that's what I--
|
||||||
|
F#m/C#
|
||||||
|
Have you not been fucking listening?
|
||||||
|
Bm
|
||||||
|
We are entrenched in--
|
||||||
|
Alright, alright
|
||||||
|
F#m/C#
|
||||||
|
Wait, no please!
|
||||||
|
I don't wanna go back, please
|
||||||
|
D
|
||||||
|
I can't go, I can't go back
|
||||||
|
N.C.
|
||||||
|
Please, please, I'm sorry
|
||||||
|
Are you gonna behave yourself?
|
||||||
|
Yes
|
||||||
|
Yes, what?
|
||||||
|
Yes, sir
|
||||||
|
Look at me
|
||||||
|
Yes, sir
|
||||||
|
That's better
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus: Bo Burnham, Socko & Both]
|
||||||
|
D Bm/G#
|
||||||
|
That is how the world works
|
||||||
|
G E/G# A
|
||||||
|
That is how the world works
|
||||||
|
D
|
||||||
|
I hope you learned your lesson
|
||||||
|
F#7 Bm
|
||||||
|
I did and it hurt
|
||||||
|
G Dsus4/A
|
||||||
|
That's how it works
|
||||||
56
src/Bo Burnham - Look Who's Inside Again.md
Normal file
56
src/Bo Burnham - Look Who's Inside Again.md
Normal file
|
|
@ -0,0 +1,56 @@
|
||||||
|
~~~
|
||||||
|
[Verse 1]
|
||||||
|
|
||||||
|
D Bm A G
|
||||||
|
Trying to be funny and stuck in a room
|
||||||
|
D Bm A G
|
||||||
|
There isn't much more to say about it
|
||||||
|
D Bm A G
|
||||||
|
Can one be funny when stuck in a room?
|
||||||
|
D Bm A G
|
||||||
|
Being in, trying to get something out of it
|
||||||
|
Bm F# G
|
||||||
|
Try making faces
|
||||||
|
A Bm
|
||||||
|
Try telling jokes
|
||||||
|
Bm F# G
|
||||||
|
Making little sounds
|
||||||
|
|
||||||
|
A
|
||||||
|
|
||||||
|
[Verse 2]
|
||||||
|
|
||||||
|
D Bm A G D
|
||||||
|
I was a kid who was stuck in his room
|
||||||
|
Bm A G
|
||||||
|
There isn't much more to say about it
|
||||||
|
D Bm A G D
|
||||||
|
When you're a kid and you're stuck in your room
|
||||||
|
Bm A G
|
||||||
|
You'll do any old shit to get out of it
|
||||||
|
Bm F# G
|
||||||
|
Try making faces
|
||||||
|
A Bm
|
||||||
|
Try telling jokes
|
||||||
|
Bm F# G
|
||||||
|
Making little sounds
|
||||||
|
|
||||||
|
A
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
|
||||||
|
D
|
||||||
|
Well, well
|
||||||
|
Em
|
||||||
|
Look who's inside again
|
||||||
|
A D Bm
|
||||||
|
Went out to look for a reason to hide again
|
||||||
|
|
||||||
|
D
|
||||||
|
Well, well
|
||||||
|
Em A
|
||||||
|
Buddy, you found it
|
||||||
|
A Bm Bb+
|
||||||
|
Now come out with your hands up
|
||||||
|
D/A Gm
|
||||||
|
We've got you surrounded
|
||||||
202
src/Bo Burnham - Welcome To The Internet.md
Normal file
202
src/Bo Burnham - Welcome To The Internet.md
Normal file
|
|
@ -0,0 +1,202 @@
|
||||||
|
~~~
|
||||||
|
[Verse 1]
|
||||||
|
Dm
|
||||||
|
Welcome to the internet. Have a look around.
|
||||||
|
Gm
|
||||||
|
Anything that brain of yours can think of can be found.
|
||||||
|
F
|
||||||
|
We've got mountains of content. Some better, some worse.
|
||||||
|
A7
|
||||||
|
If none of it's of interest to you, you'd be the first.
|
||||||
|
|
||||||
|
|
||||||
|
[Verse 2]
|
||||||
|
Dm
|
||||||
|
Welcome to the internet. Come and take a seat.
|
||||||
|
Gm
|
||||||
|
Would you like to see the news or any famous women's feet.
|
||||||
|
F
|
||||||
|
There's no need to panic. This isn't a test (huh huh).
|
||||||
|
A7
|
||||||
|
Just nod or shake your head and we'll do the rest.
|
||||||
|
|
||||||
|
|
||||||
|
[Verse 3]
|
||||||
|
Dm
|
||||||
|
Welcome to the internet. What would you prefer.
|
||||||
|
Gm
|
||||||
|
Would you like to fight for civil rights or tweet a racial slur.
|
||||||
|
F
|
||||||
|
Be happy. Be horny. Be bursting with rage.
|
||||||
|
A7
|
||||||
|
We got a million different ways to engage
|
||||||
|
|
||||||
|
|
||||||
|
[Verse 4]
|
||||||
|
Dm
|
||||||
|
Welcome to the internet. Put your cares aside.
|
||||||
|
Gm
|
||||||
|
Here's a tip for straining pasta. Here's a nine-year-old who died.
|
||||||
|
F
|
||||||
|
We got movies, and doctors, and fantasy sports.
|
||||||
|
A7
|
||||||
|
And a bunch of colored pencil drawings of all the characters of harry potter fucking
|
||||||
|
Dm
|
||||||
|
eachother.
|
||||||
|
|
||||||
|
|
||||||
|
[Verse 5]
|
||||||
|
Welcome to the internet. Hold on to your socks.
|
||||||
|
Gm
|
||||||
|
'cause a random guy just kindly sent you photos of his cock.
|
||||||
|
F
|
||||||
|
They are grainy and off-putting. He just sent you more.
|
||||||
|
A7
|
||||||
|
Dont act surprised. You know you like it, you whore.
|
||||||
|
|
||||||
|
|
||||||
|
[Verse 6]
|
||||||
|
Dm
|
||||||
|
See a man beheaded. Get offended, see a shrink.
|
||||||
|
Gm
|
||||||
|
Show us pictures of your children. Tell us every thought you think.
|
||||||
|
F
|
||||||
|
Start a rumor, buy a broom or send a death threat to a boomer.
|
||||||
|
A7
|
||||||
|
Or DM a girl and groom her. Do a Zoom or find a tumor in your-
|
||||||
|
|
||||||
|
|
||||||
|
[Verse 7]
|
||||||
|
Dm
|
||||||
|
Here's a healthy breakfast option. You should kill your mom.
|
||||||
|
Gm
|
||||||
|
Here's why women never fuck you. Here's how you can build a bomb.
|
||||||
|
F
|
||||||
|
Which Power Ranger are you? Take this quirky quiz.
|
||||||
|
A7 A7 Gm F E Dm
|
||||||
|
Obama sent the immigrants. To vac- cin- ate- your- kids.
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
Dm
|
||||||
|
Could I interest you in everything, all of the time?
|
||||||
|
Gm
|
||||||
|
A little bit of everything. All of the time.
|
||||||
|
F
|
||||||
|
Apathy's a tragedy and boredom is a crime.
|
||||||
|
A7*
|
||||||
|
Anything and everything. All of the time.
|
||||||
|
|
||||||
|
Dm
|
||||||
|
Could I interest you in everything, all of the time?
|
||||||
|
Gm
|
||||||
|
A little bit of everything. All of the time.
|
||||||
|
F
|
||||||
|
Apathy's a tragedy and boredom is a crime.
|
||||||
|
A7*
|
||||||
|
Anything and everything. All of the time.
|
||||||
|
|
||||||
|
|
||||||
|
[Interlude]
|
||||||
|
Dm C Bb A7
|
||||||
|
|
||||||
|
|
||||||
|
[Verse 8]
|
||||||
|
Dm C Bb A7
|
||||||
|
You know, it wasn't always like this
|
||||||
|
Dm C
|
||||||
|
Not very long ago
|
||||||
|
Bb A7
|
||||||
|
Just before your time
|
||||||
|
Dm C
|
||||||
|
Right before the towers fell
|
||||||
|
Bb A7
|
||||||
|
Circa '99
|
||||||
|
|
||||||
|
|
||||||
|
[Verse 9]
|
||||||
|
Gm
|
||||||
|
This was catalogues
|
||||||
|
Dm
|
||||||
|
Travel blogs
|
||||||
|
A7 Dm
|
||||||
|
A chat room or two
|
||||||
|
Gm Dm
|
||||||
|
We set our sights and spent our nights
|
||||||
|
A7 C7
|
||||||
|
Waiting
|
||||||
|
|
||||||
|
|
||||||
|
[Bridge 1]
|
||||||
|
Fmaj7
|
||||||
|
For you
|
||||||
|
Dm7
|
||||||
|
You
|
||||||
|
Gm7 C7
|
||||||
|
Insatiable you
|
||||||
|
Fmaj7 Dm7
|
||||||
|
Mommy let you use her iPad
|
||||||
|
Gm7 C7
|
||||||
|
You were barely two
|
||||||
|
Dm Dmmaj7/C#
|
||||||
|
And it did all the things
|
||||||
|
Dm7/C Bb
|
||||||
|
We designed it to do
|
||||||
|
|
||||||
|
|
||||||
|
[Interlude]
|
||||||
|
Bb
|
||||||
|
Now look at you
|
||||||
|
C
|
||||||
|
Oh, look at you
|
||||||
|
D
|
||||||
|
You
|
||||||
|
|
||||||
|
|
||||||
|
[Bridge 2]
|
||||||
|
Gmaj7 Em7
|
||||||
|
You
|
||||||
|
Am7 D7
|
||||||
|
Unstoppable, watchable
|
||||||
|
Gmaj7 Em7
|
||||||
|
Your time is now. Your inside's out.
|
||||||
|
Am7 D7
|
||||||
|
Honey, how you grew
|
||||||
|
Em Emmaj7/D#
|
||||||
|
And if we stick together
|
||||||
|
Em7/D A
|
||||||
|
Who knows what we'll do
|
||||||
|
C D
|
||||||
|
It was always the plan
|
||||||
|
B7 C
|
||||||
|
To put the world in your hand
|
||||||
|
|
||||||
|
|
||||||
|
Em Em/B Em Em/B Em Em/B Em Em/B
|
||||||
|
(laughing)
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
Em
|
||||||
|
Could I interest you in everything, all of the time?
|
||||||
|
Am
|
||||||
|
A bit of everything. All of the time.
|
||||||
|
G
|
||||||
|
Apathy's a tragedy and boredom is a crime.
|
||||||
|
B7*
|
||||||
|
Anything and everything. All of the time.
|
||||||
|
|
||||||
|
Em
|
||||||
|
Could I interest you in everything, all of the time?
|
||||||
|
Am
|
||||||
|
A little bit of everything. All of the time.
|
||||||
|
G
|
||||||
|
Apathy's a tragedy and boredom is a crime.
|
||||||
|
B7
|
||||||
|
Anything and everything
|
||||||
|
B7
|
||||||
|
And anything and everything
|
||||||
|
B7
|
||||||
|
And anything and everything
|
||||||
|
N.C
|
||||||
|
And all of the time
|
||||||
71
src/Bodo Wartke - Regen.md
Normal file
71
src/Bodo Wartke - Regen.md
Normal file
|
|
@ -0,0 +1,71 @@
|
||||||
|
Ein Phänomen, das uns in Deutschland oft begegnet:
|
||||||
|
Es ist Hochsommer. Doch es regnet,
|
||||||
|
Weil Petrus, mit Sicherheit ein frommer Christ,
|
||||||
|
Gelegentlich vergißt, daß Sommer ist,
|
||||||
|
|
||||||
|
Und das tut er mit besonders großer Freude
|
||||||
|
Natürlich ausgerechnet heute
|
||||||
|
Hier auf diesem riesigen open-air?
|
||||||
|
Ich komm mir vor, als ob ich in den Tropen wär'!
|
||||||
|
|
||||||
|
Das Publikum ? man höre und staune! ?
|
||||||
|
Hat irgendwie nicht so richtig gute Laune.
|
||||||
|
Ich seh' se, wie se auf der durchgeweichten Wiese liegen,
|
||||||
|
Und wie se auf der Wiese die Krise kriegen.
|
||||||
|
|
||||||
|
Mir hört kaum noch einer zu
|
||||||
|
Und die wenigen, die's noch tun, rufen: "Buh!"
|
||||||
|
Und ich frage mich ein wenig aufgebracht:
|
||||||
|
Warum ist diese Wiese eigentlich nicht überdacht?
|
||||||
|
Deswegen bin ich
|
||||||
|
Gegen den Regen.
|
||||||
|
Der Regen hört nicht auf mich aufzuregen.
|
||||||
|
Regen macht ich tierisch depressiv.
|
||||||
|
Immerzu und immer wieder
|
||||||
|
Schlägt der Niederschlag mich nieder.
|
||||||
|
Deswegen find' ich Regen mega negativ.
|
||||||
|
Zugegeben, Regen bringt Segen in entlegenen Gegenden,
|
||||||
|
Denn da regnet's in der Regel eh nich'.
|
||||||
|
Aber hier haben wir vom Regen hingegen
|
||||||
|
Ja wohl eher zuviel als zu wenig.
|
||||||
|
|
||||||
|
Es gibt nur eine einzige Gelegenheit,
|
||||||
|
Zu der mich ausnahmsweise mal der Regen freut,
|
||||||
|
Und zwar an besonders heißen Sommertagen,
|
||||||
|
Wenn die Mädels obenrum nur weiße T-Shirts tragen.
|
||||||
|
|
||||||
|
Ansonsten ist für mich als Liedermacher
|
||||||
|
Regen echt der allergrößte Widersacher.
|
||||||
|
Ich bin mir sicher, selbst wenn
|
||||||
|
Es hier jetzt nicht mehr regnen
|
||||||
|
Würde, regnet es Hundert pro wieder nachher.
|
||||||
|
|
||||||
|
Mich fragen manchmal die Kollegen:
|
||||||
|
Weswegen singst du Lieder gegen Regen?
|
||||||
|
Warum nicht gegen Terror oder Krieg
|
||||||
|
Oder die US-amerikanische Außenpolitik?
|
||||||
|
|
||||||
|
...äh...na gut.
|
||||||
|
Dann sing' ich jetzt halt
|
||||||
|
Gegen Ronald Reagan.
|
||||||
|
Der hörte damals schon nicht auf mich aufzuregen.
|
||||||
|
Doch er war nix im Vergleich zu Nixon oder Bush (dem blöden Wichser!)
|
||||||
|
Ich glaub', von allen inkompetenten
|
||||||
|
Amerikanischen Präsidenten
|
||||||
|
Verzapfte wohl noch keiner soviel Pfusch wie Bush.
|
||||||
|
Man sollte, sagen die Kollegen,
|
||||||
|
Den politischen Protestsong auf allen Wegen pflegen.
|
||||||
|
Ja okay, meinetwegen. Trotzdem singe ich statt gegen
|
||||||
|
Nixon, Bush oder Reagen lieber Lieder gegen Regen.
|
||||||
|
|
||||||
|
Denn gerade, was Bush betrifft, gibt es einen prägenden
|
||||||
|
Unterschied zum Regen, denn
|
||||||
|
Wir müssen Bush nur noch ein knappes Jahr ertragen.
|
||||||
|
Den Regen hingegen?.
|
||||||
|
Deswegen bin ich
|
||||||
|
Gegen den Regen.
|
||||||
|
Der Regen hört nicht auf mich aufzuregen.
|
||||||
|
Regen macht mich tierisch depressiv.
|
||||||
|
Immerzu und immer wieder
|
||||||
|
Schlägt der Niederschlag mich nieder.
|
||||||
|
Deswegen find' ich Regen mega negativ.
|
||||||
40
src/Bodo Wartke - Was Ich Gerade Denke.md
Normal file
40
src/Bodo Wartke - Was Ich Gerade Denke.md
Normal file
|
|
@ -0,0 +1,40 @@
|
||||||
|
Schon seit nachmittags um vier
|
||||||
|
Sitz' ich hier mit dir und wir
|
||||||
|
Trinken alkoholische Getränke
|
||||||
|
Da stellst du mir 'ne Frage
|
||||||
|
Die ja Frauen heutzutage
|
||||||
|
Gern mal fragen; nämlich, was ich grade denke
|
||||||
|
Ich versenk' ungelenk
|
||||||
|
Meinen Blick in mein Getränk
|
||||||
|
Denn was ich denke – nun ja, wie soll ich sagen?
|
||||||
|
Ist grad sehr privat
|
||||||
|
Und auch ein wenig delikat
|
||||||
|
Was mußt du mich das auch jetzt grade fragen!
|
||||||
|
Denn wenn ich ehrlich bin
|
||||||
|
Bin ich ehrlich hin
|
||||||
|
Und weg von dir, völlig hingerissen!
|
||||||
|
Ich steh' auf dich. Und
|
||||||
|
Ganz genau aus diesem Grund
|
||||||
|
Würd' ich dich jetzt ziemlich gerne küssen
|
||||||
|
...und zwar auf den Mund. Viel zu lange
|
||||||
|
Küßte ich dich nur auf die Wange
|
||||||
|
Gestatte mir, daß ich mich nicht mehr darauf beschränke
|
||||||
|
Mit meinen Lippen
|
||||||
|
An den deinen zu tippen
|
||||||
|
Das ist es, was ich grade denke
|
||||||
|
Ach, wenn wir zwei zusammen wär'n
|
||||||
|
Ich glaub', ich holte liebend gern
|
||||||
|
Für dich vom Himmel jeden noch so fernen Stern
|
||||||
|
Ich würde 1000 Sachen
|
||||||
|
Die dich glücklich machen, machen
|
||||||
|
Wenn wir zusammen wär'n
|
||||||
|
In großer Zahl und Dichte dichtete ich für dich Gedichte
|
||||||
|
Und hin und wieder schriebe ich dir Liebeslieder
|
||||||
|
Du bist es, der ich all meine Liebe schenke
|
||||||
|
Das ist es, was ich gerade denke
|
||||||
|
Doch weil ich im Lichte
|
||||||
|
Deines dicht auf mich gerichte
|
||||||
|
Ten neugierig-erwartungsvollen Blicks
|
||||||
|
Das alles weder klar noch vage
|
||||||
|
Dir zu sagen wage, sage
|
||||||
|
Ich auf deine Frage: "Och - nix."
|
||||||
135
src/Britney Spears - ...One More Time.md
Normal file
135
src/Britney Spears - ...One More Time.md
Normal file
|
|
@ -0,0 +1,135 @@
|
||||||
|
~~~
|
||||||
|
[Verse 1]
|
||||||
|
|
||||||
|
Am
|
||||||
|
Oh baby, baby
|
||||||
|
E C
|
||||||
|
How was I supposed to know
|
||||||
|
Dm E
|
||||||
|
That something wasn't right here
|
||||||
|
Am
|
||||||
|
Oh baby, baby
|
||||||
|
E C
|
||||||
|
I shouldn't have let you go
|
||||||
|
Dm E
|
||||||
|
And now you're out of sight, yeah
|
||||||
|
|
||||||
|
|
||||||
|
[Pre-Chorus]
|
||||||
|
|
||||||
|
Am E
|
||||||
|
Show me, how you want it to be
|
||||||
|
C
|
||||||
|
Tell me, baby
|
||||||
|
Dm E
|
||||||
|
'Cause I need to know now, oh, because
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
|
||||||
|
Am E
|
||||||
|
My loneliness is killing me (and I)
|
||||||
|
C Dm E
|
||||||
|
I must confess, I still believe (still believe)
|
||||||
|
Am E
|
||||||
|
When I'm not with you I lose my mind
|
||||||
|
F G C
|
||||||
|
Give me a sign
|
||||||
|
Dm E
|
||||||
|
Hit me baby, one more time
|
||||||
|
|
||||||
|
|
||||||
|
[Verse 2]
|
||||||
|
|
||||||
|
Am
|
||||||
|
Oh baby, baby
|
||||||
|
E C
|
||||||
|
The reason I breathe is you
|
||||||
|
Dm E
|
||||||
|
Boy you've got me blinded
|
||||||
|
Am
|
||||||
|
Oh, pretty baby
|
||||||
|
E C
|
||||||
|
There's nothing that I wouldn't do
|
||||||
|
Dm E
|
||||||
|
It's not the way I planned it
|
||||||
|
|
||||||
|
|
||||||
|
[Pre-Chorus]
|
||||||
|
|
||||||
|
Am E
|
||||||
|
Show me, how you want it to be
|
||||||
|
C
|
||||||
|
Tell me, baby
|
||||||
|
Dm E
|
||||||
|
'Cause I need to know now, oh, because
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
|
||||||
|
Am E
|
||||||
|
My loneliness is killing me (and I)
|
||||||
|
C Dm E
|
||||||
|
I must confess, I still believe (still believe)
|
||||||
|
Am E
|
||||||
|
When I'm not with you I lose my mind
|
||||||
|
F G C
|
||||||
|
Give me a sign
|
||||||
|
Dm E
|
||||||
|
Hit me baby, one more time
|
||||||
|
|
||||||
|
Am
|
||||||
|
Oh baby, baby
|
||||||
|
Am
|
||||||
|
Oh baby, baby
|
||||||
|
|
||||||
|
|
||||||
|
[Interlude]
|
||||||
|
|
||||||
|
Am
|
||||||
|
Oh baby, baby
|
||||||
|
E C Dm E
|
||||||
|
How was I supposed to know
|
||||||
|
F G
|
||||||
|
Oh, pretty baby, I shouldn't have let you
|
||||||
|
Dm F
|
||||||
|
Gooooooooooooo
|
||||||
|
|
||||||
|
|
||||||
|
[Bridge]
|
||||||
|
|
||||||
|
G Am E
|
||||||
|
I must confess, that my loneliness
|
||||||
|
C Dm E F
|
||||||
|
Is killing me now, don't you know I still believe
|
||||||
|
G
|
||||||
|
That you will be here
|
||||||
|
F
|
||||||
|
And give me a sign
|
||||||
|
Dm G G#dim
|
||||||
|
Hit me baby, one more time
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
|
||||||
|
Am E
|
||||||
|
My loneliness is killing me (and I)
|
||||||
|
C Dm E
|
||||||
|
I must confess, I still believe (still believe)
|
||||||
|
Am E
|
||||||
|
When I'm not with you I lose my mind
|
||||||
|
F G C
|
||||||
|
Give me a sign
|
||||||
|
Dm E
|
||||||
|
Hit me baby, one more time
|
||||||
|
|
||||||
|
Am E
|
||||||
|
I must confess that my loneliness
|
||||||
|
C Dm E
|
||||||
|
Is killing me now (don't you know I still believe?)
|
||||||
|
Am E
|
||||||
|
That you will be here
|
||||||
|
F G C
|
||||||
|
and give me a sign?
|
||||||
|
Dm E
|
||||||
|
Hit me baby, one more time
|
||||||
178
src/Britney Spears - Toxic.md
Normal file
178
src/Britney Spears - Toxic.md
Normal file
|
|
@ -0,0 +1,178 @@
|
||||||
|
~~~
|
||||||
|
[Intro]
|
||||||
|
|
||||||
|
Am
|
||||||
|
|
||||||
|
[Verse 1]
|
||||||
|
|
||||||
|
Am
|
||||||
|
Baby, can’t you see
|
||||||
|
Am
|
||||||
|
I’m calling
|
||||||
|
Am
|
||||||
|
A guy like you
|
||||||
|
Am
|
||||||
|
Should wear a warning
|
||||||
|
C
|
||||||
|
It’s dangerous
|
||||||
|
E7 Am
|
||||||
|
I’m fallin’
|
||||||
|
|
||||||
|
Am
|
||||||
|
There’s no escape
|
||||||
|
Am
|
||||||
|
I can’t wait
|
||||||
|
Am
|
||||||
|
I need a hit
|
||||||
|
Am
|
||||||
|
Baby, give me it
|
||||||
|
C
|
||||||
|
You’re dangerous
|
||||||
|
E7 Am
|
||||||
|
I’m lovin’ it
|
||||||
|
|
||||||
|
|
||||||
|
[Pre-Chorus 1]
|
||||||
|
|
||||||
|
Am
|
||||||
|
Too high
|
||||||
|
Am
|
||||||
|
Can’t come down
|
||||||
|
Am
|
||||||
|
Losing my head
|
||||||
|
Am
|
||||||
|
Spinning ‘round and ‘round
|
||||||
|
C E7 Am
|
||||||
|
Do you feel me now
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
|
||||||
|
Am
|
||||||
|
With a taste of your lips
|
||||||
|
C
|
||||||
|
I’m on a ride
|
||||||
|
B7 Bb7
|
||||||
|
You're toxic, I'm slipping under
|
||||||
|
Am C
|
||||||
|
With a taste of a poison paradise
|
||||||
|
F7
|
||||||
|
I’m addicted to you
|
||||||
|
E7 Am C
|
||||||
|
Don’t you know that you’re toxic
|
||||||
|
B7
|
||||||
|
And I love what you do
|
||||||
|
Bb7
|
||||||
|
Don’t you know that you’re toxic
|
||||||
|
|
||||||
|
|
||||||
|
[Instrumental]
|
||||||
|
|
||||||
|
Am C F7 E7
|
||||||
|
|
||||||
|
|
||||||
|
[Verse 2]
|
||||||
|
|
||||||
|
Am
|
||||||
|
It’s getting late
|
||||||
|
Am
|
||||||
|
To give you up
|
||||||
|
Am
|
||||||
|
I took a sip
|
||||||
|
Am
|
||||||
|
From my devil's cup
|
||||||
|
C
|
||||||
|
Slowly
|
||||||
|
E7 Am
|
||||||
|
It’s taking over me
|
||||||
|
|
||||||
|
|
||||||
|
[Pre-Chorus 2]
|
||||||
|
|
||||||
|
Am
|
||||||
|
Too high
|
||||||
|
Am
|
||||||
|
Can’t come down
|
||||||
|
Am
|
||||||
|
It’s in the air
|
||||||
|
Am
|
||||||
|
And it’s all around
|
||||||
|
C E7 Am
|
||||||
|
Can you feel me now
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
|
||||||
|
Am
|
||||||
|
With a taste of your lips
|
||||||
|
C
|
||||||
|
I’m on a ride
|
||||||
|
B7 Bb7
|
||||||
|
You're toxic, I'm slipping under
|
||||||
|
Am C
|
||||||
|
With a taste of a poison paradise
|
||||||
|
F7
|
||||||
|
I’m addicted to you
|
||||||
|
E7 Am C
|
||||||
|
Don’t you know that you’re toxic
|
||||||
|
B7
|
||||||
|
And I love what you do
|
||||||
|
Bb7 Am C F7
|
||||||
|
Don’t you know that you’re toxic
|
||||||
|
E7
|
||||||
|
Don't you know that you're toxic
|
||||||
|
|
||||||
|
|
||||||
|
[Bridge]
|
||||||
|
|
||||||
|
Am C B7 Bb7
|
||||||
|
Ahhhhhhhhhhhhhhh
|
||||||
|
Am C F7 E7
|
||||||
|
Ahhhhhhhhhhhhhhh
|
||||||
|
|
||||||
|
N.C.
|
||||||
|
TASTE OF YOUR LIPS, I'M ON A RIDE
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
|
||||||
|
B7 Bb7
|
||||||
|
You're toxic, I'm slipping under
|
||||||
|
Am C
|
||||||
|
With a taste of a poison paradise
|
||||||
|
F7
|
||||||
|
I'm addicted to you
|
||||||
|
E7
|
||||||
|
Don't you know that you're toxic
|
||||||
|
|
||||||
|
Am
|
||||||
|
With a taste of your lips
|
||||||
|
C
|
||||||
|
I’m on a ride
|
||||||
|
B7 Bb7
|
||||||
|
You're toxic, I'm slipping under
|
||||||
|
Am C
|
||||||
|
With a taste of a poison paradise
|
||||||
|
F7
|
||||||
|
I’m addicted to you
|
||||||
|
E7
|
||||||
|
Don’t you know that you’re toxic
|
||||||
|
|
||||||
|
|
||||||
|
[Outro]
|
||||||
|
|
||||||
|
Am
|
||||||
|
Intoxicate me now
|
||||||
|
C
|
||||||
|
With your lovin' now
|
||||||
|
B7
|
||||||
|
I think I'm ready now
|
||||||
|
Bb7
|
||||||
|
I think I'm ready now
|
||||||
|
Am
|
||||||
|
Intoxicate me now
|
||||||
|
C
|
||||||
|
With your lovin' now
|
||||||
|
F7
|
||||||
|
I think I'm ready now
|
||||||
|
E7
|
||||||
105
src/Bukahara - Happy.md
Normal file
105
src/Bukahara - Happy.md
Normal file
|
|
@ -0,0 +1,105 @@
|
||||||
|
~~~
|
||||||
|
[Intro]
|
||||||
|
|
||||||
|
Bm A Bm A (x2)
|
||||||
|
|
||||||
|
|
||||||
|
[Verse]
|
||||||
|
|
||||||
|
Bm A Bm A
|
||||||
|
You're still hiding in the park
|
||||||
|
Bm A Bm A
|
||||||
|
You look so happy when you're down (down down)
|
||||||
|
Bm A Bm A
|
||||||
|
Under the trees where you won't be found
|
||||||
|
|
||||||
|
Bm A Bm A
|
||||||
|
And you're still dancing in the dark
|
||||||
|
Bm A Bm A
|
||||||
|
It makes you happy when you're down (down down)
|
||||||
|
Bm A Bm A
|
||||||
|
Noone can see you spinning round and round
|
||||||
|
|
||||||
|
|
||||||
|
Bm A Bm A
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
|
||||||
|
G D
|
||||||
|
And your feet, they keep on moving
|
||||||
|
Bm A
|
||||||
|
Even when the nights are cold
|
||||||
|
G A Bm
|
||||||
|
When you're old, will you still be dancing on
|
||||||
|
A Bm
|
||||||
|
Into the dawn of the light
|
||||||
|
|
||||||
|
|
||||||
|
Bm A Bm A
|
||||||
|
|
||||||
|
|
||||||
|
[Verse]
|
||||||
|
|
||||||
|
Bm A Bm A
|
||||||
|
I haven't seen you for a while
|
||||||
|
Bm A Bm A
|
||||||
|
You still look happy when you're down (down down)
|
||||||
|
Bm A Bm A
|
||||||
|
You keep on moving to keep warm when the leaves turn brown
|
||||||
|
|
||||||
|
Bm A Bm A
|
||||||
|
|
||||||
|
Bm A Bm A
|
||||||
|
You're still reaching up to the sky
|
||||||
|
Bm A Bm A
|
||||||
|
It makes you happy when you're down (down down)
|
||||||
|
Bm A Bm A
|
||||||
|
I still believe that one day you will take off from the ground
|
||||||
|
|
||||||
|
Bm A Bm A
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
|
||||||
|
G D
|
||||||
|
And your stars, they keep on burning
|
||||||
|
Bm A
|
||||||
|
Even when the nights are cold
|
||||||
|
G A Bm
|
||||||
|
When you're old, will you still be dancing on
|
||||||
|
A Bm
|
||||||
|
Into the dawn
|
||||||
|
|
||||||
|
|
||||||
|
[Bridge]
|
||||||
|
|
||||||
|
Em C G B
|
||||||
|
Hear the voices singing everywhere
|
||||||
|
Em C G B
|
||||||
|
Singing love is coming down to those who care
|
||||||
|
Em C G B
|
||||||
|
Hear the voices singing everywhere
|
||||||
|
Em C G B
|
||||||
|
Singing love is coming down to those who care
|
||||||
|
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
|
||||||
|
G D
|
||||||
|
And your feet, they keep on moving
|
||||||
|
Bm A
|
||||||
|
Even when the nights are cold
|
||||||
|
G A Bm
|
||||||
|
When you're old, will you still be dancing on
|
||||||
|
A Bm
|
||||||
|
Into the dawn
|
||||||
|
|
||||||
|
G D
|
||||||
|
And your stars, they keep on burning
|
||||||
|
Bm A
|
||||||
|
Even when the nights are cold
|
||||||
|
G A Bm
|
||||||
|
When you're old, will you still be dancing on
|
||||||
|
A Bm A Bm A Bm A
|
||||||
|
Into the dawn of the light
|
||||||
79
src/Carpenters - Close To You.md
Normal file
79
src/Carpenters - Close To You.md
Normal file
|
|
@ -0,0 +1,79 @@
|
||||||
|
~~~
|
||||||
|
Cadd9 * C x3
|
||||||
|
|
||||||
|
C Cadd9 * B7
|
||||||
|
Why do birds suddenly appear
|
||||||
|
Bm Em
|
||||||
|
Everytime you are near
|
||||||
|
C Cadd9 * C Cadd9 *
|
||||||
|
Just like me, they long to be
|
||||||
|
C G
|
||||||
|
Close to you
|
||||||
|
|
||||||
|
C Cadd9 B7
|
||||||
|
Why do stars fall down from the sky
|
||||||
|
Bm Em
|
||||||
|
Everytime you walk by
|
||||||
|
C Cadd9 C Cadd9
|
||||||
|
Just like me, they long to be
|
||||||
|
C G
|
||||||
|
Close to you
|
||||||
|
|
||||||
|
C6 ** C C6 C C6 C
|
||||||
|
On the day that you were born, the angels got together
|
||||||
|
Bm E E7
|
||||||
|
And decided to create a dream come true
|
||||||
|
C C6
|
||||||
|
So they sprinkled moondust in you hair
|
||||||
|
Am C6 D
|
||||||
|
And golden starlight in your eyes of blue
|
||||||
|
|
||||||
|
C Cadd9 B7
|
||||||
|
That is why, all the girls in town
|
||||||
|
Bm Em
|
||||||
|
Follow you, all around
|
||||||
|
C Cadd9 C Cadd9
|
||||||
|
Just like me, they long to be
|
||||||
|
C G
|
||||||
|
Close to you
|
||||||
|
|
||||||
|
Db Dbadd9 C7 Cm Fm Db Dbadd9 Db Dbadd9 Db Ab
|
||||||
|
|
||||||
|
Db6 Db Db6 Db Db6 Db
|
||||||
|
On the day that you were born, the angels got together
|
||||||
|
Cm F F7
|
||||||
|
And decided to create a dream come true
|
||||||
|
Db Db6
|
||||||
|
So they sprinkled moondust in you hair
|
||||||
|
Bbm Db6 Eb
|
||||||
|
And golden starlight in your eyes of blue
|
||||||
|
|
||||||
|
Db Dbadd9 C7
|
||||||
|
That is why, all the girls in town
|
||||||
|
Cm Fm
|
||||||
|
Follow you, all around
|
||||||
|
Db Dbadd9 Db Dbadd9
|
||||||
|
Just like me, they long to be
|
||||||
|
Abmaj7
|
||||||
|
Close to you
|
||||||
|
Db Dbadd9 Db Dbadd9
|
||||||
|
Just like me, they long to be
|
||||||
|
Db Ab
|
||||||
|
Close to you
|
||||||
|
|
||||||
|
Dbadd9 Db
|
||||||
|
Wa-ah-ah-ah-ah
|
||||||
|
Ab
|
||||||
|
Close to you
|
||||||
|
Dbadd9 Db
|
||||||
|
Wa-ah-ah-ah-ah
|
||||||
|
Ab
|
||||||
|
Close to you
|
||||||
|
Dbadd9 Db
|
||||||
|
Wa-ah-ah-ah-ah
|
||||||
|
Ab
|
||||||
|
Close to you
|
||||||
|
Dbadd9 Db
|
||||||
|
Wa-ah-ah-ah-ah
|
||||||
|
Ab
|
||||||
|
Close to you
|
||||||
81
src/The Beatles - Let It Be.md
Normal file
81
src/The Beatles - Let It Be.md
Normal file
|
|
@ -0,0 +1,81 @@
|
||||||
|
~~~
|
||||||
|
[Intro]
|
||||||
|
C G Am Fmaj7 F6
|
||||||
|
C G F C/E Dm7 C
|
||||||
|
|
||||||
|
[Verse 1]
|
||||||
|
C G Am Am/G Fmaj7 F6
|
||||||
|
When I find myself in times of trouble, Mother Mary comes to me
|
||||||
|
C G F C/E Dm7 C
|
||||||
|
Speaking words of wisdom, let it be
|
||||||
|
C G Am Am/G Fmaj7 F6
|
||||||
|
And in my hour of darkness, she is standing right in front of me
|
||||||
|
C G F C/E Dm7 C
|
||||||
|
Speaking words of wisdom, let it be
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
Am G F C
|
||||||
|
Let it be, let it be, let it be, let it be
|
||||||
|
C G F C/E Dm7 C
|
||||||
|
Whisper words of wisdom, let it be
|
||||||
|
|
||||||
|
[Verse 2]
|
||||||
|
C G Am Am/G Fmaj7 F6
|
||||||
|
And when the broken hearted people, living in the world agree
|
||||||
|
C G F C/E Dm7 C
|
||||||
|
There will be an answer, let it be
|
||||||
|
C G Am Am/G Fmaj7 F6
|
||||||
|
For though they may be parted, there is still a chance that they will see
|
||||||
|
C G F C/E Dm7 C
|
||||||
|
There will be an answer, let it be
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
Am G F C
|
||||||
|
Let it be, let it be, let it be, let it be
|
||||||
|
C G F C/E Dm7 C
|
||||||
|
There will be an answer, let it be
|
||||||
|
Am G F C
|
||||||
|
Let it be, let it be, let it be, let it be
|
||||||
|
C G F C/E Dm7 C
|
||||||
|
Whisper words of wisdom, let it be
|
||||||
|
|
||||||
|
[Instrumental]
|
||||||
|
F C/E Dm7 C Bb F/A G F C x2
|
||||||
|
|
||||||
|
[Solo]
|
||||||
|
C G Am F C G F C x2
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
Am G F C
|
||||||
|
Let it be, let it be, let it be, let it be
|
||||||
|
C G F C/E Dm7 C
|
||||||
|
Whisper words of wisdom, let it be
|
||||||
|
|
||||||
|
[Verse 3]
|
||||||
|
C G
|
||||||
|
And when the night is cloudy,
|
||||||
|
Am Am/G Fmaj7 F6
|
||||||
|
There is still a light that shines on me
|
||||||
|
C G F C/E Dm7 C
|
||||||
|
Shine on till tomorrow, let it be
|
||||||
|
C G Am Am/G Fmaj7 F6
|
||||||
|
I wake up to the sound of music, Mother Mary comes to me
|
||||||
|
C G F C/E Dm7 C
|
||||||
|
Speaking words of wisdom, let it be
|
||||||
|
|
||||||
|
[Chorus]
|
||||||
|
Am G F C
|
||||||
|
Let it be, let it be, let it be, let it be
|
||||||
|
C G F C/E Dm7 C
|
||||||
|
There will be an answer, let it be
|
||||||
|
Am G F C
|
||||||
|
Let it be, let it be, let it be, let it be
|
||||||
|
C G F C/E Dm7 C
|
||||||
|
There will be an answer, let it be eeee
|
||||||
|
Am G F C
|
||||||
|
Let it be, let it be, let it be, ya let it be
|
||||||
|
C G F C/E Dm7 C
|
||||||
|
Whisper words of wisdom, let it be eeeeeee
|
||||||
|
|
||||||
|
[Outro]
|
||||||
|
F C/E Dm7 C Bb F/A G F C
|
||||||
77
src/index.md
Normal file
77
src/index.md
Normal file
|
|
@ -0,0 +1,77 @@
|
||||||
|
# Liederliste
|
||||||
|
|
||||||
|
Ohne Chords/Lyrics:
|
||||||
|
|
||||||
|
* Bukahara - Happy
|
||||||
|
* Carpenters - Close To You
|
||||||
|
* Christina Perri - Jar of Hearts
|
||||||
|
* Coldplay - Fix You
|
||||||
|
* Crosby - Helplessly Hoping
|
||||||
|
* Cynthia Nickschas - Positiv Denken
|
||||||
|
* Cynthia Nickschas - Schissig
|
||||||
|
* Das Lumpenpack - Guacamole
|
||||||
|
* Das Lumpenpack - Hauch Mich Mal An
|
||||||
|
* Das Lumpenpack - Pädagogen
|
||||||
|
* Daði Freyr - Think About Things
|
||||||
|
* Die Höchste Eisenbahn - Isi
|
||||||
|
* Die Zukunft - Drogen Nehmen und Rumfahren
|
||||||
|
* Dodie - Human
|
||||||
|
* Dodie - Monster
|
||||||
|
* Dodie - Secret For The Mad
|
||||||
|
* Dodie - Sick Of Losing Soulmates
|
||||||
|
* Ed Sheeran - I See Fire
|
||||||
|
* Elvis Presley - Can't Help Falling In Love
|
||||||
|
* Evanscence - My Immortal
|
||||||
|
* Faber - Ich Liebe Dich, Faber
|
||||||
|
* Faber - Vivaldi
|
||||||
|
* Fleet Foxes - Blue Spotted Tail
|
||||||
|
* Fleet Foxes - Mykonos
|
||||||
|
* Fools Garden - Lemon Tree
|
||||||
|
* Frank Sinatra - Fly Me To The Moon
|
||||||
|
* Funny Van Dannen - Nebelmaschine
|
||||||
|
* Idina Menzel - Let It Go
|
||||||
|
* Imagine Dragons - Enemy
|
||||||
|
* Imagine Dragons - Radioactive
|
||||||
|
* Imagine Dragons - Wrecked
|
||||||
|
* Israel Kamakawiwo'ole - Somewhere Over The Rainbow
|
||||||
|
* Jeff Buckley - Hallelujah
|
||||||
|
* John Denver - Country Roads
|
||||||
|
* K.I.Z - Neuruppin
|
||||||
|
* K.I.Z - Riesenglied
|
||||||
|
* Keane - Somewhere Only We Know
|
||||||
|
* Lucy Rose - Shiver
|
||||||
|
* Maria Mena - All This Time
|
||||||
|
* Maria Mena - Just Hold Me
|
||||||
|
* Maria Mena - Nevermind Me
|
||||||
|
* Matt Maltese - As The World Caves In
|
||||||
|
* Matt Mulholland - Better Man
|
||||||
|
* Matt Mulholland - Knowing Love
|
||||||
|
* Matt Mulholland - Let You Go
|
||||||
|
* Mehnersmoos - 3 Uhr Nachts
|
||||||
|
* Metallica - Nothing Else Matters
|
||||||
|
* Nothing But Thieves - Particles
|
||||||
|
* Nothing But Thieves - Your Blood
|
||||||
|
* Oh Wonder - Technicolour Beat
|
||||||
|
* Plain White T's - Hey There Delilah
|
||||||
|
* Provinz - Reicht Dir Das
|
||||||
|
* Radiohead - Creep
|
||||||
|
* Sarah McLachlan - Angel
|
||||||
|
* Seeed - Wonderful Life
|
||||||
|
* Simon & Garfunkel - Hello Darkness My Old Friend
|
||||||
|
* Steiner & Madlaina - Das Schöne Leben
|
||||||
|
* Steiner & Madlaina - Denk Was Du Willst
|
||||||
|
* Steiner & Madlaina - Wenn Du Mir Glaubst
|
||||||
|
* Sting - Englishman In New York
|
||||||
|
* Sting - Fields Of Gold
|
||||||
|
* Syd Matters - Obstacles
|
||||||
|
* Syd Matters - To All Of You
|
||||||
|
* System Of A Down - Aerials
|
||||||
|
* System Of A Down - Toxicity
|
||||||
|
* The Altogether - Sophie
|
||||||
|
* The Flying Pickets - Only You
|
||||||
|
* Toto - Africa
|
||||||
|
* Vance Joy - Riptide
|
||||||
|
* Wise Guys - Jetzt Ist Sommer
|
||||||
|
* Wise Guys - Radio
|
||||||
|
* Wise Guys - Wie Kann Es Sein
|
||||||
|
* Wise Guys - Wir Hatten Eine Gute Zeit
|
||||||
Loading…
Reference in New Issue
Block a user